Emily Brisse

I'm happy to share that my essay "This Is My Oldest Story" has been published by  Creative Nonfiction's True Story . The title doesn't say it all, but it says a lot. With these words, I finally found a way to write about something I've been trying to process since I was eight: the abduction and decades-long disappearance of Jacob Wetterling , a neighbor boy from my hometown. Even though--as I discuss in the essay--I still have reservations regarding writing about Jacob publicly, I had another conversation with another stranger just yesterday that echoed much of what I explore in this piece: how for Minnesotans, there was "a time before Jacob Wetterling's kidnapping and a time after it," how the entire region was affected by this boy's loss. Sitting with these memories now still reduces me to fear and anger and heart ache. Which is why I wrote about them. Which is why I think we all do better when we leave the solitary shadows. By tellin...

Taking a break from my plant-focused summer to point you all to a recent publication of mine in Hippocampus Magazine. It's a very short essay, called "I Am Still Here," which focuses on my immediate reaction twenty-some years ago to the abduction of a neighborhood boy. As one would assume, the events surrounding his kidnapping haunted me as a young girl, and still do. For me, writing is generally a matter of trying to figure something out. This boy's case has now gone unresolved for decades. I doubt I will ever stop writing into the center of that night, not at least until some closure is reached. So: there's that. Not flowers or bouncing summer grasses. But one of my earliest memories of understanding the necessity of story, and how upturned and unstable things can feel without one. Also, as a result of this essay, a young woman from a college in Massachusetts read it, and asked for a short interview for one of her classes about publishing. I'm inclu...